Who painted Studie af to døde solsorte, han og hun, liggende?

Studie af to døde solsorte, han og hun, liggende was painted by Unknown in 1753.

Where can I see Studie af to døde solsorte, han og hun, liggende?

Studie af to døde solsorte, han og hun, liggende is held by Statens Museum for Kunst.

What movement is Studie af to døde solsorte, han og hun, liggende?

Studie af to døde solsorte, han og hun, liggende is associated with Rococo painting.

Artwork

Studie af to døde solsorte, han og hun, liggende

Unknown , 1753

Studie af to døde solsorte, han og hun, liggende is an unspecified work on paper by the Rococo painting artist Unknown. It dates from 1753 and is held in the collection of the Statens Museum for Kunst.

About this work

Overview

The work titled *Studie af to døde solsorte, han og hun, liggende* dates from 1753 and is part of the collection of the Museum of Ethnography. Executed in watercolor, the piece records a close study of two deceased European blackbirds, a male and a female, arranged side by side on a neutral background.

Subject & Meaning

The composition presents the two birds lying on their backs, heads turned toward one another, with the male rendered in dark plumage and the female distinguished by a white belly and brown upper feathers. The juxtaposition of the pair invites contemplation of natural variation and the fleeting nature of life, typical of scientific illustration of the period.

Technique & Style

Watercolor washes provide a delicate modeling of feather texture, while fine brushwork delineates the intricate patterning of each bird’s plumage. A light beige ground serves to isolate the subjects, allowing subtle tonal shifts to convey depth. The rendering balances observational accuracy with a modest aesthetic restraint characteristic of 18th‑century naturalist studies.

History & Provenance

Created by the artist identified in the source as 1342_person, the study entered the Museum of Ethnography’s holdings at an unspecified date. Its preservation within an ethnographic context reflects the 18th‑century interest in cataloguing fauna alongside cultural artifacts, underscoring the interdisciplinary nature of early museum collections.