Artwork

Anemone apennina (appenniner-anemone); Tiarella cordifolia (almindelig skumblomst); Anemone trifolia (trilling-anemone); Ranunculus asiaticus (have-ranunkel)

Anemone apennina (appenniner-anemone); Tiarella cordifolia (almindelig skumblomst); Anemone trifolia (trilling-anemone); Ranunculus asiaticus (have-ranunkel), by Unknown, unspecified, 1654
Anemone apennina (appenniner-anemone); Tiarella cordifolia (almindelig skumblomst); Anemone trifolia (trilling-anemone); Ranunculus asiaticus (have-ranunkel), by Unknown, unspecified, 1654

Anemone apennina (appenniner-anemone); Tiarella cordifolia (almindelig skumblomst); Anemone trifolia (trilling-anemone); Ranunculus asiaticus (have-ranunkel) is an unspecified work on paper by Unknown. It dates from 1654 and is held in the collection of the Statens Museum for Kunst.

About this work

Overview

Created around 1654 by the artist catalogued as 35199_person, this botanical illustration depicts four distinct flowering plants—Anemone apennina, Tiarella cordifolia, Anemone trifolia, and Ranunculus asiaticus. The work is part of the collection at the Museum of Ethnography and exists as a digital image reproducing the original drawing.

Subject & Meaning

The image arranges the four species in a tidy composition against a neutral background, allowing each flower’s form and coloration to be examined without distraction. By presenting the plants side by side, the illustration serves as a comparative reference for identification and study of their morphological traits.

Technique & Style

Rendered in watercolor, the artist builds subtle depth through thin, translucent washes that capture the delicate texture of petals, leaves, and seed heads. Fine brushwork highlights surface details such as leaf venation and petal edges, reflecting the meticulous approach typical of 17th‑century scientific illustration.

History & Provenance

The piece dates to the mid‑17th century, a period when botanical art was closely linked to emerging natural‑history research. It entered the Museum of Ethnography’s holdings at an unspecified later date, where it is preserved as a representative example of early modern plant documentation.

Context

During the 1650s, European scholars increasingly relied on accurate visual records to complement textual descriptions of flora. Illustrations like this one were often used in herbals and academic circles to disseminate knowledge of plant species across regions.

Artist & collection

Artist

Unknown

entity whose identity is not known