Artwork
Tamara Karsavina as the Firebird in Mikhail Fokine's ballet 'L'Oiseau de feu'

Tamara Karsavina as the Firebird in Mikhail Fokine's ballet 'L'Oiseau de feu' is an oil painting by the Impressionist artist Adrian Paul Allinson. It dates from 1918 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
Adrian Paul Allinson’s 1918 oil on hardboard records Tamara Karsavina in the role of the Firebird during the original production of Mikhail Fokine’s ballet L’Oiseau de feu. The figure stands en pointe before an ornate stage gate, illuminated by the costume’s bright hues against a darker backdrop, conveying a moment of theatrical drama.
Subject & Meaning
The painting captures Karsavina embodying the mythic Firebird, a symbol of transformation and brilliance in Russian folklore. Her outstretched arms and poised stance suggest the bird’s fleeting, radiant energy, while the surrounding set elements anchor the scene within the ballet’s narrative.
Technique & Style
Allinson employs a restrained palette of greens, oranges, and golds to render the feather‑trimmed bodice, swansdown hips, and gauze trousers, creating a luminous effect that contrasts with the deep shadows of the stage. The composition balances detailed costume rendering with a simplified, atmospheric background, reflecting early‑20th‑century approaches to theatrical portraiture.
History & Provenance
Created shortly after the ballet’s 1910 premiere, the work serves as a visual document of the original Diaghilev Ballets Russes staging, including Léon Bakst’s costume design and Alexander Golovine’s set. The painting has remained in private collections before entering a museum context, where it is displayed as a record of the production’s visual culture.
Context
The Firebird ballet marked a collaboration between choreographer Mikhail Fokine, designer Léon Bakst, and set architect Alexander Golovine, all central figures in the avant‑garde of the Ballets Russes. Allinson’s depiction reflects the era’s fascination with exoticism and the synthesis of music, dance, and visual art that defined early modernist performance.
Artist & collection














