Artwork

Joseph Sold by His Brothers

Joseph Sold by His Brothers, by Antonio del Castillo y Saavedra, oil, 1650
Joseph Sold by His Brothers, by Antonio del Castillo y Saavedra, oil, 1650

Joseph Sold by His Brothers is an oil painting by the Early Baroque Italian artist Antonio del Castillo y Saavedra. It dates from 1650 and is held in the collection of the Museo del Prado.

About this work

Overview

Antonio del Castillo y Saavedra’s oil on canvas, dated around 1650, depicts the biblical episode in which Joseph is betrayed by his brothers. The composition is set in a rugged, open landscape, populated by a small group of men, a half‑clothed figure on the ground, and a few animals, while a cart rests in the distance. The work belongs to the collection of the Museo del Prado.

Subject & Meaning

The scene captures the moment when Joseph, having been stripped of his coat, is handed over to traders. The varied expressions—anxiety, anger, sorrow—convey the moral tension of familial betrayal and the unfolding of divine providence. The inclusion of livestock and the cart underscores the commercial transaction that will carry Joseph away to Egypt.

Technique & Style

Del Castillo employs a pronounced chiaroscuro, juxtaposing deep shadows with shafts of light that illuminate key figures and accentuate their emotional states. The rugged terrain is rendered with vigorous brushwork, while the drapery’s texture and the animals’ forms are modeled through careful gradations of tone, creating a dramatic, three‑dimensional effect.

History & Provenance

Created in the mid‑17th century, the painting entered the Spanish royal collection before being transferred to the Museo del Prado, where it remains on display. Documentation traces its ownership through the Bourbon inventories, confirming its attribution to del Castillo and its continuous presence in Spanish institutional holdings.

Context

The work reflects the Counter‑Reformation’s emphasis on biblical narratives that illustrate moral lessons. In the Spanish Baroque milieu, artists often used stark lighting and emotive figures to engage viewers spiritually, aligning with the era’s devotional objectives and the broader European fascination with dramatic religious storytelling.

Artist & collection

Museo del Prado

Museum

Museo del Prado

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This work is in the public domain (CC0). Image source: Museo del Prado open access. Spotted an error in this record? Tell us.