Who painted Moses schlägt Wasser aus dem Felsen?

Moses schlägt Wasser aus dem Felsen was painted by Gerard Hoet in 1698.

Where can I see Moses schlägt Wasser aus dem Felsen?

Moses schlägt Wasser aus dem Felsen is held by Kunsthistorisches Museum.

What movement is Moses schlägt Wasser aus dem Felsen?

Moses schlägt Wasser aus dem Felsen is associated with Dutch Golden Age.

Artwork

Moses schlägt Wasser aus dem Felsen

Gerard Hoet , 1698

Moses schlägt Wasser aus dem Felsen is an unspecified painting by the Dutch Golden Age artist Gerard Hoet. It dates from 1698 and is held in the collection of the Kunsthistorisches Museum.

About this work

Overview

Gerard Hoet’s early‑Baroque canvas, dated around 1698, depicts the biblical episode of Moses striking a rock to provide water. Executed in oil on canvas, the work now belongs to the collection of the Kunsthistorisches Museum in Vienna. The composition presents a bustling outdoor setting where a diverse crowd gathers around a rocky outcrop and a flowing stream.

Subject & Meaning

The scene illustrates the Old Testament miracle in which Moses, obeying divine command, brings forth water for the thirsty Israelites. Central figures, including a man bearing a green flag, emphasize the narrative’s communal relief, while the presence of children, elders, and a dog underscores the collective nature of the deliverance.

Technique & Style

Hoet employs chiaroscuro to model forms, allowing light to illuminate faces and garments against deeper shadows, thereby creating a sense of volume. The figures are rendered in loose, colorful attire characteristic of the period, and the landscape features rolling hills, scattered trees, and a warm, cloud‑filled sky that recedes into atmospheric depth.

History & Provenance

Created near the close of the 17th century, the painting entered the Kunsthistorisches Museum’s holdings, where it remains on display. Its provenance traces back to the artist’s workshop in the Dutch Republic before being acquired by the Austrian imperial collection, reflecting the cross‑national appreciation of religious art during the era.

Context

The work aligns with the Baroque fascination for dramatic biblical scenes, combining narrative clarity with dynamic crowd composition. Hoet, known for his decorative frescoes and historical subjects, integrates theatrical lighting and a lively tableau, mirroring contemporary tastes for emotionally resonant religious imagery.