Artwork

A View of Paestum

A View of Paestum, by Antonio Joli, oil, 1759
A View of Paestum, by Antonio Joli, oil, 1759

A View of Paestum is an oil painting by the Rococo painting artist Antonio Joli. It dates from 1759 and is held in the collection of the Norton Simon Museum.

About this work

Overview

A View of Paestum is a landscape painting executed in oil by Antonio Joli in 1759. The work is part of the collection at the Norton Simon Museum.

Subject & Meaning

The painting portrays the ancient archaeological site of Paestum in southern Italy, featuring three prominent temples: the Second Temple of Hera, the Temple of Athena, and another. The scene also includes a walled town along a river, set amidst a green valley, hills, and a softly rendered pink sky. Human activity is subtly suggested by tiny figures on horseback and on foot near the temples.

Technique & Style

Joli employed aerial perspective to convey depth, rendering distant hills as hazy and faint. The temples are depicted in a style that emphasizes their ancient Greek architectural characteristics, despite their Italian location.

History & Provenance

Created in 1759, the painting's history prior to its acquisition by the Norton Simon Museum is not detailed here. It is currently held in the museum's collection.

Context

Paestum, the subject of the painting, is an ancient Greek archaeological site in southern Italy, known for its well-preserved Doric temples. Joli's depiction reflects 18th-century European interest in classical antiquity.

Legacy

While specific influence or notable exhibitions of 'A View of Paestum' are not highlighted, the painting contributes to the broader legacy of European landscape painting and the artistic fascination with classical ruins during the 18th century.

Artist & collection

Portrait of Antonio Joli

Artist

Antonio Joli

Antonio Francesco Lodovico Joli was born in Modena in 1700 and trained first under the perspective painter Raffaello Rinaldi before moving to Rome, where he studied with Giovanni Paolo Panini and absorbed the tradition of idealized…

This work is in the public domain (CC0). Image source: Norton Simon Museum open access. Spotted an error in this record? Tell us.