Who painted Two Profile Studies of a Woman's Head?

Two Profile Studies of a Woman's Head was painted by Sebald Beham in 1542.

Where can I see Two Profile Studies of a Woman's Head?

Two Profile Studies of a Woman's Head is held by National Gallery of Art.

What movement is Two Profile Studies of a Woman's Head?

Two Profile Studies of a Woman's Head is associated with Renaissance.

Artwork

Two Profile Studies of a Woman's Head

Sebald Beham , 1542

Two Profile Studies of a Woman's Head is an ink print by the Renaissance artist Sebald Beham. It dates from 1542 and is held in the collection of the National Gallery of Art.

About this work

Next, look up engraving to see how artists like this used metal plates to create detailed prints.

This engraving shows a woman’s head in two views: one facing forward, the other in profile. A grid overlays the front view, breaking her face into squares. The lines are sharp, with tiny cross-hatching marks to add shadows.

The title at the top reads *"Eines Weibes Haupt"* (German for "A Woman’s Head"). The year 1542 is stamped in the corner, along with the artist’s initials.

Next, look up engraving to see how artists like this used metal plates to create detailed prints.

Overview

Two Profile Studies of a Woman's Head is a 1542 engraving by German artist Sebald Beham, showcasing dual views of a woman's head in a compact, detailed composition.

Subject & Meaning

The engraving depicts a woman’s head in two simultaneous views: a direct frontal perspective and a profile. A superimposed grid divides the frontal view into squares, potentially serving as a drafting aid or artistic device to emphasize proportion and accuracy.

Technique & Style

Beham’s engraving demonstrates his mastery of fine lines and delicate forms. Sharp lines and intricate cross-hatching create shading, characteristic of his detailed style. The work bears the title 'Eines Weibes Haupt' (A Woman’s Head), the date 1542, and the artist’s initials.

History & Provenance

Created in 1542, this work reflects Beham’s activity in Nuremberg before his later relocation to Frankfurt. As one of the 'Little Masters,' Beham followed in the tradition of Albrecht Dürer, specializing in small, intricate prints.

Context

The engraving technique involved etching designs onto metal plates, which were then inked and pressed onto paper to produce detailed prints like this one.

Legacy

This piece exemplifies Beham’s contribution to the tradition of highly detailed, small-scale prints in 16th-century Germany, influencing the development of engraving as an artistic medium.