Artwork

Untitled

Untitled, by Samuel Bourne, photographic, 1864
Untitled, by Samuel Bourne, photographic, 1864

Untitled is a photographic photography by the Impressionist artist Samuel Bourne. It dates from 1864 and is held in the collection of the Victoria and Albert Museum.

About this work

Overview

This 1864 black‑and‑white photograph captures the interior of a richly ornamented chamber in Benares, featuring a carved stone sculpture associated with the Well of Knowledge. The composition emphasizes the heavy, patterned pillars, carved walls, and a collection of figurative statues, all illuminated by a dim, barred window that casts deep shadows across the worn floor.

Subject & Meaning

The image presents a sacred architectural space where intricate stonework depicts mythological figures and animals, reflecting the religious and cultural narratives embedded in the temple’s design. The arrangement of statues on shelves suggests a display of devotional objects, while the overall ambience conveys a sense of reverence and the layered symbolism of knowledge within the Hindu tradition.

Technique & Style

Captured using the wet‑collodion process typical of mid‑nineteenth‑century photography, the picture demonstrates a high level of detail and tonal contrast. Bourne’s careful framing isolates the sculptural elements, and the interplay of light and shadow enhances texture, revealing the depth of the carvings and the atmospheric quality of the interior.

History & Provenance

Taken by Samuel Bourne, a former bank clerk who became a leading photographer in colonial India, the photograph formed part of a series documenting British imperial territories for a European market. Produced during the height of Orientalist interest, the work was circulated among audiences seeking visual representations of exotic locales, and it now resides in the collection of the Victoria and Albert Museum.

Artist & collection