Where can I see Virgin and Child with the Prophet Daniel and Mary Magdalene?

Virgin and Child with the Prophet Daniel and Mary Magdalene is held by National Gallery of Art.

What movement is Virgin and Child with the Prophet Daniel and Mary Magdalene?

Virgin and Child with the Prophet Daniel and Mary Magdalene is associated with Renaissance.

Artwork

Virgin and Child with the Prophet Daniel and Mary Magdalene

Virgin and Child with the Prophet Daniel and Mary Magdalene is a gouache drawing by the Renaissance artist Antonio Campi. It dates from 1546 and is held in the collection of the National Gallery of Art.

About this work

Overview

Virgin and Child with the Prophet Daniel and Mary Magdalene is a 16th-century religious drawing by Antonio Campi, executed around 1546 in pen, brown ink, brown wash, and white gouache on laid paper. The work is part of the collection at the National Gallery of Art in Washington.

Subject & Meaning

The drawing depicts the Virgin Mary seated with the infant Jesus, accompanied by two biblical figures: the Prophet Daniel (identified by the book he holds) on the left and Mary Magdalene (recognizable by her long hair) kneeling on the right. The scene conveys a moment of serene interaction and contemplation.

Technique & Style

Campi employed a combination of pen, brown ink, and brown wash to define forms, with white gouache adding highlights. The drawing features delicate lines, subtle shading, and effective use of light and shadow to create depth and volume. Classical poses and elegant lines reflect the Renaissance stylistic influence.

History & Provenance

Created circa 1546, the drawing's provenance prior to its acquisition by the National Gallery of Art in Washington is not detailed in the provided information.

Context

This work exemplifies the religious art of the Renaissance, a period characterized by the revival of classical ideals and meticulous attention to detail in depicting sacred subjects.

Legacy

As a drawing by Antonio Campi, it contributes to the understanding of the artist's oeuvre and the broader context of Renaissance drawing techniques and religious themes, though its specific impact or influence is not highlighted in the available details.