Stage Set with a Statue Of Saint George Slaying the Dragon

Caney employed a layered watercolor and gouache approach, building color through successive washes that give the surface a luminous depth. Pen and black ink define outlines and intricate details, while white gouache adds reflective accents on gilded surfaces. The overall effect balances flat decorative elements with a sense of three‑dimensional space, characteristic of contemporary stage‑design sketches.

Created in 1584, the drawing is attributed to the English artist Robert Caney, known for his work on theatrical and religious subjects. The piece has remained in private collections before entering a museum holding focused on early modern visual culture, where it serves as a rare example of a detailed stage‑set plan from the period.