"Wohl auf, kameraden, aufs pferd, aufs pferd! Ins feld, in die freiheit gezogen!" ("Come On, Comrades, to Horse, to Horse! To Battle, Bound for Liberty!")

Corinth employed an etching technique that allowed for layered ink buildup, resulting in contrasting dark and faint areas. This approach, combined with loose, scribble-like lines, reflects Corinth's post-1911 shift towards Expressionism, marked by increased expressiveness and looseness following a stroke.

Created in 1923 by Lovis Corinth, a key figure in the Berlin Secession, this etching represents a later work in his oeuvre, post-dating his stylistic transition after a stroke in 1911. Specific provenance details are not provided.

As a history painting in print form, this etching engages with traditional themes of battle and freedom. However, its Expressionist execution sets it apart, aligning more closely with early 20th-century avant-garde movements in Europe.

While specific legacy details of this etching are not provided, it contributes to the broader understanding of Corinth's post-stroke Expressionist period and the evolution of printmaking techniques in early 20th-century European art.