Ce n'est pas encore cette fois-ci...

Executed in lithography, the print relies on loose, energetic lines and exaggerated facial features to convey immediacy. Daumier’s characteristic caricatural style simplifies forms while amplifying gestures, allowing the scene’s dynamism to emerge from minimal detail. The stark contrast between the bold central figure and the smaller, more frantic men underscores the hierarchical satire.

Produced during the early years of the Second French Empire, the image reflects Daumier’s republican sympathies and his ongoing campaign against the monarchy, aristocracy, and clergy. Published in satirical journals such as La Caricature and Le Charivari, the work aligns with his broader effort to expose the hypocrisies of the regime’s financial and political apparatus.

The lithograph stands as a representative example of Daumier’s political printmaking, illustrating how humor and pointed observation can serve as tools of dissent. Its enduring relevance lies in its ability to convey the absurdities of power through a compact visual narrative, influencing later generations of caricaturists and social critics.