Physionomies de spectateurs de la Porte St.-Martin...

Executed as a lithograph, the image relies on bold line work and stark contrasts to convey depth; the overlapping profiles create a sense of spatial recession. Daumier’s characteristic caricatural style appears in the distorted features and the play of light and dark, which isolates the figures from the background.

Created during Daumier’s prolific period of social commentary, the print belongs to a series of theatrical portraits he produced in the early 1850s. These works were circulated through the same satirical journals—such as *La Caricature* and *Le Charivari*—that disseminated his critiques of French society between the 1830 Revolution and the fall of the Second Empire.

The lithograph reflects the broader cultural climate of Paris, where public theatres served as both entertainment venues and social arenas. Daumier’s focus on the audience, rather than the performance itself, mirrors contemporary concerns about the rising influence of the bourgeois class and its impact on public taste and morality.