Le Format de plus en plus monstre

Executed using lithography, which allows direct drawing onto stone, the piece features quick, sketchy lines, conveying a sense of urgency and spontaneity characteristic of Daumier's caricature work.

Produced during a period of political upheaval (between the 1830 Revolution and the fall of the Second French Empire in 1870), this work aligns with Daumier's republican democratic views, critiquing aspects of French society through satire.

Published in a Parisian newspaper, likely *La Caricature* or *Le Charivari*, where Daumier was a regular contributor, the lithograph was part of a broader commentary on the monarchy, aristocracy, clergy, and the challenges faced by the general population.