Nous avons donc volé le ballon de Mr. Green?

Executed in lithography, the work demonstrates Daumier’s command of the medium’s capacity for swift, gestural lines and tonal variation. The rough, sketch‑like rendering of the background contrasts with the more detailed, expressive faces, a stylistic choice that foregrounds human expression over setting. The print’s tonal range, achieved through careful manipulation of the stone, adds depth to the scene while preserving a spontaneous quality.

Created in the revolutionary year of 1848, the lithograph reflects Daumier’s prolific output during a period of political upheaval in France. While specific ownership records are scarce, the piece has appeared in several 19th‑century print collections and is now held in public institutions that specialize in French graphic art, underscoring its relevance to studies of Daumier’s printmaking career.