Artwork

Nymphes des bords de la marene

Nymphes des bords de la marene, by Honoré Daumier, ink, 1855
Nymphes des bords de la marene, by Honoré Daumier, ink, 1855

Nymphes des bords de la marene is an ink print by the Impressionist artist Honoré Daumier. It dates from 1855 and is held in the collection of the National Gallery of Art.

About this work

Overview

Honoré Daumier’s lithograph *Nymphes des bords de la marène* presents a quiet riverside scene populated by three individuals. Rendered in a single tonal range, the print captures a moment of calm interaction, emphasizing the simplicity of the figures’ attire and the placid atmosphere of the water’s edge.

Subject & Meaning

The composition focuses on three modestly dressed figures sharing a tranquil pause beside a still body of water. Their relaxed expressions and gentle gestures suggest a private, everyday encounter rather than a staged narrative, inviting viewers to infer a subtle story of companionship or contemplation without overt dramatization.

Technique & Style

Executed as a lithograph, the work relies on the medium’s capacity for fine line work and tonal variation within a monochrome palette. Daumier employs delicate shading and careful contouring to convey depth and mood, demonstrating how lithography can render nuanced human expression and atmospheric detail without the use of color.

Context

Created during Daumier’s prolific period of printmaking, the piece reflects his interest in ordinary life and the social milieu of 19th‑century France. While known chiefly for caricature and political satire, this print underscores his ability to observe and render serene, non‑political scenes with the same observational acuity.

Artist & collection

Portrait of Honoré Daumier

Artist

Honoré Daumier

Honoré-Victorin Daumier was a French painter, sculptor, and printmaker, whose many works offer commentary on the social and political life in France, from the Revolution of 1830 to the fall of the Second French Empire in 1870.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.