Journée du 10 Aout 1792

Duclos employed traditional intaglio methods, incising lines into a copper plate before inking and pressing it onto laid paper. The resulting marks produce stark contrasts of deep shadow and bright highlight, reinforcing the sense of immediacy and tension. The fine hatching and cross‑hatching convey texture in smoke, clothing, and weaponry.

Created a year after the events it portrays, the etching was likely circulated among contemporary audiences as a documentary image of the August 10 uprising. It remains in the collections of several European institutions, where it is cited as an early example of revolutionary printmaking that blends reportage with artistic expression.