Who painted Untitled?

Untitled was painted by Edvard Munch in 1895.

Where can I see Untitled?

Untitled is held by Museum of Modern Art.

What movement is Untitled?

Untitled is associated with Impressionism.

Artwork

Untitled

Edvard Munch , 1895

Untitled is an ink print by the Impressionist artist Edvard Munch. It dates from 1895 and is held in the collection of the Museum of Modern Art.

About this work

The word "Geschrei" (German for "scream") is written below the image, and there’s a short phrase in German at the bottom.

This image shows a person standing on a bridge, screaming with their mouth wide open. Behind them, a wavy sky and calm water stretch out, with two small boats in the distance. The lines are sharp and uneven, giving everything a tense, almost shaky feel.

The word "Geschrei" (German for "scream") is written below the image, and there’s a short phrase in German at the bottom. The artist signed it "Edv. Munch 1896," though the work was made in 1895.

Want to learn more about how this was made? Try looking up lithography.

Overview

This 1895 lithograph by Edvard Munch is a representation of a figure overcome with emotion, set against a serene landscape. The work is characterized by its bold, expressive lines and stark contrast between the turmoil of the figure and the calmness of the surroundings.

Subject & Meaning

The image depicts a person on a bridge, mouth open in a scream, with a tranquil background of water and sky. The inclusion of the word 'Geschrei' (scream) below the image underscores the figure's emotional state, suggesting a work that explores intense psychological experience.

Technique & Style

Executed in lithography, the print features sharp, uneven lines that convey a sense of tension. Munch's distinctive style, influenced by Symbolist ideals, emphasizes the subjective and the symbolic, creating a work that is both visually striking and emotionally charged.

History & Provenance

Created in 1895, the lithograph was signed by Munch in 1896. The work reflects the artist's experiences and influences, including his exposure to nihilist circles in Kristiania (Oslo), and his focus on expressing inner psychological states.