Artwork
Saint Nicholas of Bari

Saint Nicholas of Bari is a chalk drawing by the Baroque artist Jacopo da Empoli. It dates from 1610 and is held in the collection of the National Gallery of Art.
About this work
Overview
Jacopo da Empoli’s drawing titled Saint Nicholas of Bari dates to around 1610 and is part of the National Gallery of Art’s collection in Washington. Executed with pen and brown ink, the work incorporates brushwork, a blue wash, and underlying black chalk, all framed within a faint red‑chalk grid. The piece functions as a preparatory study, capturing the saint in a kneeling pose on a rocky ledge.
Subject & Meaning
The figure depicted is Saint Nicholas, shown in a simple robe and bent in reverence, one arm lifted in a gesture that suggests blessing or appeal. The sparse background isolates the saint, emphasizing his devotional posture and the spiritual focus of the composition without narrative distraction.
Technique & Style
Empoli combines confident, swift ink lines for the drapery with subtle shading on the face, while a cool blue wash overlays the ink to mute the tones and create a slightly ethereal atmosphere. The red‑chalk grid beneath the drawing indicates a proportional study, a common practice among Baroque artists preparing larger compositions.
History & Provenance
Created in the early seventeenth century, the drawing entered the National Gallery of Art’s holdings in the twentieth century, though earlier ownership details remain undocumented. Its attribution to Jacopo da Empoli aligns with his known activity in Florence during the transition from Mannerism to early Baroque.
Artist & collection


![Standing Draped Man [recto], by Jacopo da Empoli](https://artifactworldgallery.com/img/jacopo-da-empoli--standing-draped-man-recto--b3cdc92a1134339d-w320.webp)
![Seated Draped Man [verso], by Jacopo da Empoli](https://artifactworldgallery.com/img/jacopo-da-empoli--seated-draped-man-verso--e4aec542e44bf41e-w320.webp)











