Who painted Jeremiah Burroughes, Puritan Divine?

Jeremiah Burroughes, Puritan Divine was painted by Robert Gaywood in 1655.

Where can I see Jeremiah Burroughes, Puritan Divine?

Jeremiah Burroughes, Puritan Divine is held by National Gallery of Art.

What movement is Jeremiah Burroughes, Puritan Divine?

Jeremiah Burroughes, Puritan Divine is associated with Baroque.

Artwork

Jeremiah Burroughes, Puritan Divine

Robert Gaywood , 1655

Jeremiah Burroughes, Puritan Divine is an ink print by the Baroque artist Robert Gaywood. It dates from 1655 and is held in the collection of the National Gallery of Art.

About this work

Overview

The work is a black‑and‑white etching executed in 1655 by the English printmaker Robert Gaywood. It presents a portrait of Jeremiah Burroughes, identified in the inscription as a late minister of the gospel, framed within a simple circular border and set against an unadorned background.

Subject & Meaning

Burroughes is depicted with a solemn expression, a trimmed mustache, and a dark coat trimmed with a white collar. His hands are clasped before him, a conventional gesture of piety and contemplation that underscores his role as a Puritan clergyman during a period of religious turbulence in England.

Technique & Style

The image is rendered through the traditional etching process, in which Gaywood incised lines into a copper plate coated with acid‑resistant ground. The resulting fine linear work emphasizes contrast between deep shadows and bright highlights, creating a clear, dignified likeness without the use of colour.

History & Provenance

Created in the mid‑seventeenth century, the print reflects contemporary interest in documenting prominent religious figures. The artist’s signature, R. Gaywood, appears in the lower corner, confirming authorship. The work has been preserved in several institutional collections, attesting to its value as a documentary portrait of a notable Puritan leader.

Context

Burroughes (c.1585‑1649) was a leading member of the Westminster Assembly and a vocal advocate for Presbyterian church governance. The portrait was likely produced shortly after his death, serving both as a memorial and as a visual affirmation of Puritan ideals during the Commonwealth era.