Who painted Himmelfahrt Mariae?

Himmelfahrt Mariae was painted by Giuseppe Bazzani in 1739.

Where can I see Himmelfahrt Mariae?

Himmelfahrt Mariae is held by Kunsthistorisches Museum.

Artwork

Himmelfahrt Mariae

Himmelfahrt Mariae is an unspecified painting by Giuseppe Bazzani. It dates from 1739 and is held in the collection of the Kunsthistorisches Museum.

About this work

Overview

The work presents a religious gathering rendered in a warm, golden-hued setting, with a central figure surrounded by attendants in flowing robes.

Giuseppe Bazzani’s oil painting Himmelfahrt Mariae, executed around 1739, is part of the collection of Vienna’s Kunsthistorisches Museum. The work presents a religious gathering rendered in a warm, golden-hued setting, with a central figure surrounded by attendants in flowing robes. The composition is anchored by dramatic contrasts of light and dark, giving the scene a palpable sense of three‑dimensionality.

Subject & Meaning

The canvas illustrates the Assumption of the Virgin, a pivotal event in Catholic iconography. The focal figure, presumed to be the Virgin Mary, rises amid a congregation of onlookers, suggesting both reverence and communal participation in the sacred moment. The arrangement of figures emphasizes the theological theme of divine elevation and heavenly ascent.

Technique & Style

Bazzani employs a pronounced chiaroscuro, allowing illuminated forms to emerge from deep shadows and thereby heightening the emotional intensity of the scene. The warm, golden background unifies the composition, while the delicate rendering of drapery and facial expressions reflects the artist’s late‑Baroque sensibility, balancing realism with spiritual drama.

History & Provenance

Created circa 1739, Himmelfahrt Mariae entered the Kunsthistorisches Museum’s holdings, where it remains on display. The work’s provenance prior to its acquisition by the museum is not extensively documented, but its presence in the Viennese collection underscores the institution’s commitment to representing Italian Baroque painting.

Context

Bazzani, an Italian painter active in the early eighteenth century, was known for his religious commissions in the Veneto and surrounding regions. This painting aligns with his broader oeuvre, which frequently combined theatrical lighting with devotional subjects, reflecting contemporary Counter‑Reformation artistic trends that aimed to inspire piety through visual splendor.