Artwork

The Flagellation of Christ

The Flagellation of Christ, by Hans Leonhard Schäufelein, paint, 1506
The Flagellation of Christ, by Hans Leonhard Schäufelein, paint, 1506

The Flagellation of Christ is a paint painting by the Northern Renaissance artist Hans Leonhard Schäufelein. It dates from 1506 and is held in the collection of the Gemäldegalerie Berlin.

About this work

Overview

Hans Leonhard Schäufelein’s *Flagellation of Christ* (1506) is an oil painting that portrays the biblical episode of Christ’s scourging. Executed in the early sixteenth century, the work is part of the Gemäldegalerie’s collection in Berlin and exemplifies the artist’s engagement with religious narrative through a compact, tightly arranged composition.

Subject & Meaning

The scene captures the moment when Christ, stripped to a simple white loincloth and standing barefoot, is surrounded by a group of tormentors. One figure restrains his right arm while another lifts a whip, emphasizing the physical and spiritual suffering central to the Passion narrative. The stark setting underscores the solemnity of the event.

Technique & Style

Schäufelein employs a pronounced chiaroscuro, juxtaposing illuminated figures against a shadowy interior to heighten tension. The careful rendering of facial expressions and bodily gestures reveals a keen observation of human emotion. Architectural elements—a dark arched doorway and a stone column—frame the action and contribute to the painting’s spatial depth.

History & Provenance

Created in 1506, the painting entered the Gemäldegalerie’s holdings in Berlin, where it remains on display. Its provenance reflects the work’s movement through private and institutional collections before becoming part of the museum’s early Renaissance assemblage, offering insight into the circulation of German devotional art.

Context

Schäufelein, a pupil of Albrecht Dürer, worked within the Northern Renaissance tradition that emphasized detailed observation and devotional intensity. The *Flagellation* aligns with contemporary German interpretations of Passion scenes, where graphic realism served both didactic and meditative purposes for viewers engaged in personal piety.

Artist & collection

This work is in the public domain (CC0). Image source: Gemäldegalerie Berlin open access. Spotted an error in this record? Tell us.