Who painted The Knowledge of God and the Seven Cardinal Virtues?

The Knowledge of God and the Seven Cardinal Virtues was painted by Sebald Beham in 1535.

Where can I see The Knowledge of God and the Seven Cardinal Virtues?

The Knowledge of God and the Seven Cardinal Virtues is held by Cleveland Museum of Art.

Artwork

The Knowledge of God and the Seven Cardinal Virtues

The Knowledge of God and the Seven Cardinal Virtues is a print by Sebald Beham. It dates from 1535 and is held in the collection of the Cleveland Museum of Art.

About this work

Overview

Created around 1535 by Hans Sebald Beham, a prominent German printmaker of the 16th century, *The Knowledge of God and the Seven Cardinal Virtues* is an engraving that explores a theological theme, juxtaposing divine understanding with the embodiment of moral virtues.

Subject & Meaning

The engraving features a central winged figure adorned with a laurel wreath, dressed in a flowing robe, holding a staff, and gesturing with an outstretched hand. These elements symbolize divine wisdom, authority, guidance, and possibly a call to virtuous action, against a subdued background.

Technique & Style

Characteristic of Beham's work as one of the 'Little Masters,' this engraving showcases intricate details in a small scale, reflecting the influence of and contribution to the Nuremberg printmaking tradition, following in the footsteps of Albrecht Dürer.

History & Provenance

Originally from Nuremberg, Beham later worked in Frankfurt. This piece is now part of The Cleveland Museum of Art's collection, representing a fraction of Beham's prolific output of thousands of prints during his career.

Context

Produced in the mid-16th century, the work reflects the theological and moral preoccupations of the time, blending religious symbolism with the representation of virtuous ideals.

Legacy

As part of Beham's extensive oeuvre, *The Knowledge of God and the Seven Cardinal Virtues* contributes to the enduring legacy of the 'Little Masters' in the history of printmaking, exemplifying the era's artistic and thematic concerns.