Who painted Plate 33: A "Simivulpa" (Opossum?) and an Ibex?

Plate 33: A "Simivulpa" (Opossum?) and an Ibex was painted by Joris Hoefnagel in 1594.

Where can I see Plate 33: A "Simivulpa" (Opossum?) and an Ibex?

Plate 33: A "Simivulpa" (Opossum?) and an Ibex is held by National Gallery of Art.

What movement is Plate 33: A "Simivulpa" (Opossum?) and an Ibex?

Plate 33: A "Simivulpa" (Opossum?) and an Ibex is associated with Renaissance.

Artwork

Plate 33: A "Simivulpa" (Opossum?) and an Ibex

Joris Hoefnagel , 1594

Plate 33: A "Simivulpa" (Opossum?) and an Ibex is a gouache drawing by the Renaissance artist Joris Hoefnagel. It dates from 1594 and is held in the collection of the National Gallery of Art. This watercolor and gold paint drawing on parchment, Plate 33: A 'Simivulpa' (Opossum?

About this work

Overview

This watercolor and gold paint drawing on parchment, Plate 33: A 'Simivulpa' (Opossum?) and an Ibex, was created by Joris Hoefnagel around 1594. It exemplifies his skill as a painter and draftsman, particularly in natural history illustration.

Technique & Style

Hoefnagel's work is characterized by precise observation and decorative flair, combining scientific accuracy with artistic embellishment. His use of watercolor and gold paint on parchment reflects his background as a manuscript illuminator.

Context

As one of the last prominent manuscript illuminators, Hoefnagel's work influenced the development of floral still-life painting in northern Europe. His detailed illustrations contributed to a growing interest in natural history and botanical art.