Artwork

Plate 56: Water Scorpion, Water Measurer, Pond Skater, Red Water Mite, Leech(?), and Other Water Insects

Plate 56: Water Scorpion, Water Measurer, Pond Skater, Red Water Mite, Leech(?), and Other Water Insects is a gouache drawing by the Renaissance artist Joris Hoefnagel. It dates from 1594 and is held in the collection of the National Gallery of Art.

About this work

Overview

Created circa 1594, this watercolor and gold‑painted illustration on parchment presents a circular arrangement of aquatic insects and other small water‑dwelling creatures. The composition is set against a pale blue field, bounded by a thin gold line, and includes numbered labels that identify individual specimens.

Subject & Meaning

The image gathers a variety of water insects—a water scorpion, a water measurer, a pond skater, a red water mite—and a leech, offering a comparative study of their forms and habitats. A Latin caption at the top, translating roughly to “Do not measure the cuttlefish unless it is full of blood,” hints at a cautionary or observational note typical of natural‑history texts.

Technique & Style

Joris Hoefnagel employed fine watercolor washes to render translucency and texture, while delicate gold accents outline the circular frame and highlight details. The meticulous rendering reflects the precision of manuscript illumination, combining scientific observation with the decorative elegance of Flemish miniature painting.

History & Provenance

Hoefnagel, a Flemish painter and draftsman noted for his contributions to natural‑history illustration, produced this work as part of a larger series of plates documenting flora and fauna. The piece exemplifies his role in the emergence of topographical drawing and the early development of floral still‑life as a distinct genre in northern Europe.

Context

During the late 16th century, interest in cataloguing the natural world grew among scholars and collectors. Hoefnagel’s plates, including this one, were intended for inclusion in illuminated manuscripts or printed compendia, serving both educational and aesthetic purposes within the broader scientific and artistic currents of the period.