Who painted H Beard Print Collection?

H Beard Print Collection was painted by Henry Howard in 1750.

Where can I see H Beard Print Collection?

H Beard Print Collection is held by Victoria and Albert Museum.

Artwork

H Beard Print Collection

H Beard Print Collection is a print by Henry Howard. It dates from 1750 and is held in the collection of the Victoria and Albert Museum. This print presents a head‑and‑shoulders likeness of Arcangelus Corellius de Fusignano, identified by the epithet “Bononiensis.

About this work

This print shows a head-and-shoulders portrait of Arcangelus Corellius de Fusignano.

This print shows a head-and-shoulders portrait of Arcangelus Corellius de Fusignano.
It was made by Henry Howard, an English artist who lived from 1769 to 1847.
The work sits in the Victoria and Albert Museum’s print collection.

The sitter’s nickname, “Bononiensis,” hints at his connection to Bologna.
That small extra name can lead you down research paths.

Look up the artist Henry Howard (RA) next.

Overview

This print presents a head‑and‑shoulders likeness of Arcangelus Corellius de Fusignano, identified by the epithet “Bononiensis.” Executed by the English printmaker Henry Howard (1769–1847), the work forms part of the Victoria and Albert Museum’s print collection. The portrait is rendered in a restrained manner, focusing on the sitter’s facial features and upper torso.

Subject & Meaning

Arcangelus Corellius, whose additional name “Bononiensis” signals a link to Bologna, is depicted in a formal pose typical of early‑19th‑century portraiture. The inclusion of the nickname suggests the sitter’s desire to emphasize his regional identity, perhaps for recognition within scholarly or artistic circles.

Technique & Style

Howard employed a fine line engraving technique, balancing delicate shading with clear contouring to convey texture in the subject’s hair and clothing. The composition adheres to the conventions of portrait prints of the period, privileging a clear, frontal view that highlights the sitter’s expression and status.

History & Provenance

Created during Howard’s active years in the late eighteenth and early nineteenth centuries, the print entered the Victoria and Albert Museum’s holdings as part of its broader acquisition of British printmaking. Its documented provenance traces back to the artist’s own catalogue of works, confirming its attribution to Howard.

Context

The portrait reflects the broader trend of commemorating learned or notable individuals through printed media in post‑Enlightenment England. By portraying a figure associated with Bologna, the work also illustrates the period’s interest in cross‑regional intellectual connections and the circulation of personal likenesses beyond local boundaries.