Artwork
The Witch Anqarut ties Malik Iraj to a tree
The Witch Anqarut ties Malik Iraj to a tree is an unspecified painting by the Persian Miniature artist Unknown. It dates from 1589 and is held in the collection of the Victoria and Albert Museum.
About this work
Overview
The painting 'The Witch Anqarut ties Malik Iraj to a tree' depicts a dramatic scene involving a woman, a bound man, and a mysterious onlooker. The work is characterized by its vivid colors and tense atmosphere.
Subject & Meaning
The scene shows a woman in blue restraining a man in red to a tree, while another figure observes. The woman appears to be exerting control, suggesting a narrative involving coercion or captivity.
Technique & Style
The painting features a range of colors, including blue, red, and dark tones, applied to create a sense of drama. The composition includes a tree, a small building, and a castle-like structure, indicating a detailed and possibly symbolic environment.
Artist & collection
Domestic Scene
Giacomo and Cardinal Marco, investing Andrea, Abbot of San Zeno, with his Benefice
The Nymph of Fontainebleau
Portrait of a Woman
Madonna and Child with Saints in the Enclosed Garden
Venus and Minerva
Family Group of Four on Sofa
Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale
Nuori ruhtinas seurueineen maisemassa, persialainen miniatyyri
The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night
The tale of the three men trapped in a cave by a rolling boulder, from a Tuti-nama (Tales of a Parrot): Thirty-second Night
The woman conversing with her children, as the leopard returns, egged on by a fox who is tied to his leg, from a Tuti-nama (Tales of a Parrot): Thirtieth Night
Khwaja Jahan
The hunter throws away the baby parrots, who pretend to be dead, and captures the mother, from a Tuti-nama (Tales of a Parrot): Fifth Night
The sentinel in the employ of the Shah of Tabaristan prepares to sacrifice his son to the ghost of the Shah’s soul, from a Tuti-nama (Tales of a Parrot): Second Night