Artwork
Capture of King of Hamareram
Capture of King of Hamareram is an unspecified painting by the Mughal Painting artist Unknown. It dates from 1620 and is held in the collection of the Detroit Institute of Arts.
About this work
Overview
The Capture of King of Hamareram is a painting held by the Detroit Institute of Arts, depicting a dynamic scene with multiple figures and animals.
Subject & Meaning
The scene shows an elephant and a horse, ridden by men in elaborate attire, amidst people in colorful clothing, some armed with swords or bows, suggesting a narrative of capture or conquest.
Technique & Style
The painting is characterized by its detailed and colorful rendering, with intricate designs on clothing and accessories, and dynamic poses that convey movement and energy.
Artist & collection
Domestic Scene
Giacomo and Cardinal Marco, investing Andrea, Abbot of San Zeno, with his Benefice
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Family Group of Four on Sofa
Wall painting from Room H of the Villa of P. Fannius Synistor at Boscoreale
Ghatotkacha and three demons in his company chase Bhagadatta, from Bhishma-parva (volume six) of a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Persian, d. 1614)
Ghatotkacha and three demons in his company chase Bhagadatta, from Bhishma-parva (volume six) of a Razm-nama (Book of Wars) adapted from the Sanskrit Mahabharata and translated into Persian by Mir Ghiyath al-Din Ali Qazvini, known as Naqib Khan (Pers
Al-Mu'tazz Sends Gifts to Abdulla ibn Abdulla, from the Tarikh-i Alfi manuscript, Tarikh-i-Alfi
Khusrau and Shirin
Rustam and Raksh Entrapped
Cavalry Battle with Dismounted Combat
Kai Kaus Discovered on Palaquin
Arjuna Slays Karna, page from a copy of the Razmnama
Untitled
Cavalry Battle with Beheaded Warrior
King Enthroned in Pavilion and Retainers
King Beheading Enemy