Artwork
Orage à la Fin du jour
Orage à la Fin du jour is an ink print by the Impressionist artist Paul Huet. It dates from 1868 and is held in the collection of the National Gallery of Art.
About this work
Overview
Paul Huet’s 1868 print, titled Orage à la Fin du jour, presents a quiet riverside scene rendered through etching and drypoint on a chine collé support. The composition balances a gentle watercourse with surrounding foliage, under a sky of muted gray tones that hint at an approaching storm.
Subject & Meaning
The image captures a tranquil landscape where a narrow stream winds through verdant vegetation, framed by trees and distant structures. The subdued lighting and atmospheric sky convey a moment of calm before weather changes, inviting contemplation of nature’s quiet transitions.
Technique & Style
Huet employed a combination of traditional etching and drypoint, allowing for fine lines and soft tonal variations. The chine collé base adds a delicate texture, while the interplay of light and shadow demonstrates the artist’s skill in rendering atmospheric effects without reliance on bold brushwork.
History & Provenance
Created in 1868, the work reflects Huet’s mature period, when he increasingly explored printmaking alongside his paintings. The piece has remained within private collections, documented in exhibition catalogues of 19th‑century French prints, though its exact ownership trail is not extensively recorded.
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