Who painted King Anushirwan and the Owls, from the Khamsa of Nizami?

King Anushirwan and the Owls, from the Khamsa of Nizami was painted by Unknown in 1535.

Where can I see King Anushirwan and the Owls, from the Khamsa of Nizami?

King Anushirwan and the Owls, from the Khamsa of Nizami is held by Art Institute of Chicago.

What movement is King Anushirwan and the Owls, from the Khamsa of Nizami?

King Anushirwan and the Owls, from the Khamsa of Nizami is associated with Persian Miniature.

Artwork

King Anushirwan and the Owls, from the Khamsa of Nizami

Unknown , 1535

King Anushirwan and the Owls, from the Khamsa of Nizami is a watercolor painting by the Persian Miniature artist Unknown. It dates from 1535 and is held in the collection of the Art Institute of Chicago.

About this work

Overview

This 13th-century Persian painting depicts a scene from Nizami's 'Makhzan al-Asrar' (Treasury of Mysteries), part of the Khamsa (Quintet) collection. The artwork showcases King Anushirwan and two owls in a symbolic encounter, conveying themes of governance and universal justice.

Subject & Meaning

Contrary to the initial setting described in some sources, the painting actually portrays King Anushirwan seated on a throne, flanked by two owls. One owl holds a scroll, while the other destroys it, symbolizing a critique of the king's policies through the owls' dialogue about a bride-price, emphasizing the need for just rule.

Technique & Style

Executed in ink, opaque watercolor, and gold on paper, the painting reflects the imperial Sasanian court's artistic influences. Notable details include a gold background, intricate, albeit damaged, architectural elements, and meticulously rendered animals, highlighting the story's importance.

History & Provenance

Originating from the late 12th to early 13th century, this piece is part of the illustrated 'Khamsa' collection. Specific provenance details are not provided, though its style aligns with the period's aristocratic patronage.

Context

The 'Makhzan al-Asrar' is the least popular yet most philosophically complex book of Nizami's Quintet, focusing on moral and governance issues. This painting represents one of its frequently illustrated episodes, underscoring the intersection of literature and visual art in Persian culture.

Legacy

As part of the Khamsa, this work contributes to a broader literary and artistic heritage. For further exploration, the complete Khamsa can be referenced at the Art Institute of Chicago, though this specific painting's individual legacy in terms of direct influence or notable exhibitions is not detailed here.