Artwork

Leaf 4 from an antiphonal fragment

Leaf 4 from an antiphonal fragment, by Italian 13th Century, ink, 1275
Leaf 4 from an antiphonal fragment, by Italian 13th Century, ink, 1275

Leaf 4 from an antiphonal fragment is an ink drawing by Italian 13th Century. It dates from 1275 and is held in the collection of the National Gallery of Art. This page is a fragment from an illuminated antiphonal, a liturgical book containing chants and prayers.

About this work

If you want to learn more about this kind of art, you should check out the work of Italian 13th Century artists.

This is a page from an old book, written in a language that looks like Latin. The text is in black ink, with red lines and decorations. There are some big letters at the start of each section, colored in red and blue.

The page is made of a material that looks like animal skin, and it's a bit worn out. You can see some cracks and tears in the page. The writing is very fancy, with lots of swirls and curls.

If you want to learn more about this kind of art, you should check out the work of Italian 13th Century artists.

Overview

This page is a fragment from an illuminated antiphonal, a liturgical book containing chants and prayers. The leaf features text written in black ink, with decorative elements and initials in red and blue.

Technique & Style

The page is rendered on vellum, a material made from animal skin, and showcases intricate calligraphy with swirling flourishes. The decorated initials are executed in red and blue, adding visual interest to the text.

Context

The style of this fragment is reminiscent of Italian 13th-century illuminated manuscripts, suggesting a possible origin or influence from this period and region.

History & Provenance

The page shows signs of wear, with cracks and tears indicating age and handling. Its original context within a larger antiphonal is unclear, but it remains a significant example of medieval manuscript art.

Artist & collection

Portrait of Italian 13th Century

Artist

Italian 13th Century

This artist shaped the look of church music between 1250 and 1299, painting bold red-and-blue initials on vellum pages meant for choirs.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.