Artwork

The Inferno, after the Fresco in the Camposanto of Pisa

The Inferno, after the Fresco in the Camposanto of Pisa, by Italian 15th Century, ink, 1490
The Inferno, after the Fresco in the Camposanto of Pisa, by Italian 15th Century, ink, 1490

The Inferno, after the Fresco in the Camposanto of Pisa is an ink print by the Renaissance artist Italian 15th Century. It dates from 1490 and is held in the collection of the National Gallery of Art. This black‑and‑white engraving presents a densely packed vision of Dante’s first circle of Hell.

About this work

Overview

This black‑and‑white engraving presents a densely packed vision of Dante’s first circle of Hell. The composition is filled with contorted figures, flames and grotesque creatures, all rendered in a tight, frenetic arrangement that conveys a sense of panic and disorder.

Subject & Meaning

The print visualizes the opening cantos of the Inferno, depicting souls caught in torment and chaos. The crowded figures, their gestures of screaming and clawing, illustrate the poem’s themes of moral reckoning and the overwhelming nature of sin’s punishment.

Technique & Style

Executed as an engraving, the artist builds form through a multitude of fine, cross‑hatched lines. This stippling technique creates deep shadows and a textured surface, intensifying the dramatic chiaroscuro and giving the scene a palpable, oppressive atmosphere.

History & Provenance

The work is a reproductive print after an original fresco that once adorned the Camposanto Monumentale in Pisa. While the fresco has not survived, the engraving preserves its composition, allowing the lost medieval mural to be studied through this printed interpretation.

Artist & collection

Portrait of Italian 15th Century

Artist

Italian 15th Century

This anonymous Italian engraver from the 1490s carved images that could be peeled apart like paper dolls—each knot in the "First Knot" print was cut from a single sheet so you could lift the loops right off the page.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.