Who painted The Flight into Egypt [recto]?

The Flight into Egypt [recto] was painted by Italian 15th Century in 1401.

Where can I see The Flight into Egypt [recto]?

The Flight into Egypt [recto] is held by National Gallery of Art.

What movement is The Flight into Egypt [recto]?

The Flight into Egypt [recto] is associated with Renaissance.

Artwork

The Flight into Egypt [recto]

Italian 15th Century , 1401

The Flight into Egypt [recto] is a drawing by the Renaissance artist Italian 15th Century. It dates from 1401 and is held in the collection of the National Gallery of Art. This miniature drawing, executed on vellum, portrays the biblical episode of the Holy Family’s escape to Egypt.

About this work

Overview

This miniature drawing, executed on vellum, portrays the biblical episode of the Holy Family’s escape to Egypt. The work is diminutive in size, characteristic of intimate devotional objects, and presents the figures of Mary, Joseph, and the infant Jesus in a restrained composition that emphasizes personal narrative over spectacle.

Subject & Meaning

The scene captures a tranquil moment within the larger Flight into Egypt narrative, focusing on the familial bond rather than the peril of the journey. By presenting the figures in a calm, domestic setting, the image invites contemplation of faith and protection during exile.

Technique & Style

Rendered with fine brushwork, the artist employs the sfumato method, softening edges to create atmospheric depth and a subtle transition of tones. The delicate handling of the vellum surface allows for intricate detailing of clothing and facial expressions, enhancing the intimate quality of the piece.

Context

Miniatures on animal skin were common in medieval and early Renaissance devotional practice, serving as portable objects for private prayer. This work aligns with that tradition, offering a personal visual aid for meditation on the Holy Family’s trials.

Artist & collection

Artist

Italian 15th Century

This anonymous Italian engraver from the 1490s carved images that could be peeled apart like paper dolls—each knot in the "First Knot" print was cut from a single sheet so you could lift the loops right off the page.