Bildnis der Königin Maria Anna von Spanien (?)

Van Egmont employs a dark background to accentuate the subject's face and elegant clothing, characteristic of Flemish Baroque portraiture. The composition focuses attention on the sitter's presence.

Created in 1637, the painting's early history is not detailed, but it is now part of the Alte Pinakothek's collection. Van Egmont's later career included roles as a court painter in France and a founder of the Académie de peinture et de sculpture.

This work reflects the Flemish Baroque style, with which van Egmont was associated, particularly after his connections with prominent artists like Anthony van Dyck and Peter Paul Rubens.

While the painting's direct impact is not widely documented, it contributes to the broader legacy of Flemish Baroque portraiture and van Egmont's diverse career spanning multiple European courts.