Artwork
Geometric composition on vaulting, Abbasid Palace in Citadel, Baghdad

Geometric composition on vaulting, Abbasid Palace in Citadel, Baghdad is a photographic photography by K.A.C. Creswell. It dates from 1925 and is held in the collection of the Victoria and Albert Museum.
About this work
This is a black-and-white photo of patterned brickwork on a curved ceiling inside an old palace. It was taken by K.A.C. Creswell between 1920 and 1930. The photo comes from a big set he sold to the Victoria and Albert Museum.
Creswell focused on medieval Islamic buildings. He wrote two big books that architects and historians still use today.
Check out K.A.C. Creswell.
Overview
This black-and-white photograph captures the intricate geometric patterned brickwork on a curved ceiling within the Abbasid Palace in Baghdad's Citadel, taken by K.A.C. Creswell between 1920 and 1930.
Subject & Meaning
The image focuses on the architectural detailing of medieval Islamic design, specifically the geometric composition in the palace's vaulting, highlighting the precision and aesthetic of Abbasid-era architecture.
Technique & Style
Creswell's photographic approach emphasized capturing physical evidence with attention to quality, reflecting his scholarly rigor in documenting Islamic architectural heritage.
History & Provenance
Part of a large collection sold to the Victoria and Albert Museum between 1921 and 1939, this photograph is one of many Creswell took during his fieldwork for seminal publications on medieval Islamic architecture.
Context
Created during a period when photography was becoming a crucial tool in architectural scholarship, the image represents Creswell's pioneering approach to documenting and preserving the record of medieval Islamic buildings, many of which no longer exist.
Legacy
As part of Creswell's oeuvre, the photograph contributes to his enduring legacy in the field of Islamic architectural history, supporting research and reference through his publications and archived collections.
Artist & collection
Artist
He spent years crawling across the Middle East with a bulky camera, measuring every arch and dome with his lens.










