Artwork

Enamelled earthenware bas-relief medallion of Saint Augustin

Enamelled earthenware bas-relief medallion of Saint Augustin, by Louise Laffon, photographic, 1864
Enamelled earthenware bas-relief medallion of Saint Augustin, by Louise Laffon, photographic, 1864

Enamelled earthenware bas-relief medallion of Saint Augustin is a photographic photography by the Impressionist artist Louise Laffon. It dates from 1864 and is held in the collection of the Victoria and Albert Museum.

About this work

The piece blends Impressionism and Realism, two movements pushing art in new directions.

This medallion shows Saint Augustin in enamel on earthenware. It’s a photograph from 1863–64 by Louise Laffon. The piece blends Impressionism and Realism, two movements pushing art in new directions.

The Victoria and Albert Museum started collecting photos in 1852. They were the first museum to do so—and even exhibit them. Henry Cole, their first director, saw how photos could help artists and students.

Want to see more early photography? Check out the Victoria and Albert Museum.

Overview

This photograph, taken by Louise Laffon in 1863–64, depicts an enamelled earthenware bas-relief medallion featuring Saint Augustin. The image is part of the Victoria and Albert Museum's collection, which began acquiring photographs in 1852.

Technique & Style

The medallion itself combines elements of different artistic movements, while Laffon's photograph showcases her skill in capturing the details of the piece.

History & Provenance

The V&A purchased 500 photographs from Laffon in 1864, including this image, as part of a series documenting objects from the Campana Collection.

Context

The museum's early adoption of photography was driven by its first director, Henry Cole, who recognized the medium's potential to support artistic education and research.

Artist & collection

Artist

Louise Laffon

Louise Laffon (1828–1885), was a French photographer and painter. She was one of the first female professional photographers in France. She had a studio in Paris between 1859 and 1876.