Artwork
Chapel of the Spring in the Beech Tree (Cappella del faggio dell'acqua) [plate Q]
![Chapel of the Spring in the Beech Tree (Cappella del faggio dell'acqua) [plate Q], by Jacopo Ligozzi, ink, 1612](https://artifactworldgallery.com/img/jacopo-ligozzi--chapel-of-the-spring-in-the-beech-tree-cappella-del-faggio-d--ff27648fdbf66a4c-w1024.webp)
Chapel of the Spring in the Beech Tree (Cappella del faggio dell'acqua) [plate Q] is an ink print by the Baroque artist Jacopo Ligozzi. It dates from 1612 and is held in the collection of the National Gallery of Art.
About this work
Overview
Jacopo Ligozzi’s 1612 engraving presents a diminutive chapel set within the hollow of a mature beech tree. The composition is framed by dense foliage and a rocky stream, while a small group of figures occupies both interior and exterior spaces, creating a narrative tableau that balances architecture and nature.
Subject & Meaning
The work juxtaposes a sacred interior—two kneeling figures at an altar—with the surrounding wilderness, suggesting a harmonious relationship between worship and the natural world. The three standing observers outside the doorway draw the viewer’s eye upward, emphasizing the integration of the chapel’s structure with the living tree.
Technique & Style
Ligozzi employs meticulous cross‑hatching to render the texture of brickwork, leaves, and water, achieving a subtle three‑dimensional effect. The fine linear strokes reflect his Mannerist training, combining precise observation of botanical detail with a decorative elegance characteristic of late‑Renaissance printmaking.
History & Provenance
Created during Ligozzi’s mature period, the engraving aligns with his broader output of naturalistic studies and architectural vignettes. Though the original plate’s ownership record is sparse, the print circulated among collectors of scientific and decorative prints in the early 17th century, attesting to its appeal as both a study and a decorative object.
Context
The image reflects contemporary interests in integrating scientific observation of flora with religious symbolism, a theme prevalent in the courts of Florence and Mantua where Ligozzi worked. The depiction of a chapel within a tree also echoes earlier Renaissance allegories that linked the sacred to the natural environment.
Artist & collection
Artist
Jacopo Ligozzi (1547–1627) was an Italian painter, illustrator, designer, and miniaturist. His art can be categorized as late-Renaissance and Mannerist styles.






![Chapel of Saint Sebastian (Cappella di San Sebastiano) [plate N], by Jacopo Ligozzi](https://artifactworldgallery.com/img/jacopo-ligozzi--chapel-of-saint-sebastian-cappella-di-san-sebastiano-plate-n--144b97ba4a91d67b-w320.webp)
![Church of the Stigmata (Chiesa delle Stimmate) [plate M], by Jacopo Ligozzi](https://artifactworldgallery.com/img/jacopo-ligozzi--church-of-the-stigmata-chiesa-delle-stimmate-plate-m--255dd75981bd30e3-w320.webp)
![The Salutation of the Birds (Il Saluto degli uccelli) [plate C], by Jacopo Ligozzi](https://artifactworldgallery.com/img/jacopo-ligozzi--the-salutation-of-the-birds-il-saluto-degli-uccelli-plate-c--d6c0a4b5ca3671a2-w320.webp)





![Stigmata of Saint Francis (Stimmate di San Francesco) [plate Y], by Jacopo Ligozzi](https://artifactworldgallery.com/img/jacopo-ligozzi--stigmata-of-saint-francis-stimmate-di-san-francesco-plate-y--f795ef3d3b310044-w320.webp)