Self-portrait

Bartolini employs a clear chiaroscuro, juxtaposing the deep tones of the dress and background against the luminous surfaces of the book, dog, and jewelry. The blue patterned wallpaper behind her provides a textured backdrop that enhances spatial depth. Brushwork is smooth and controlled, allowing fine details such as lace and fur to emerge without disrupting the overall compositional harmony.

Since its completion, the portrait has remained in Italy, eventually entering the Uffizi’s holdings where it is catalogued among works by female artists of the 19th century. Documentation traces its acquisition to the museum’s 19th‑century expansion of the portrait collection, confirming its continuous public display for over a century.