Who painted Andrew from Christ, the Apostles, and Saint Paul?

Andrew from Christ, the Apostles, and Saint Paul was painted by After Lucas Cranach the Elder.

Where can I see Andrew from Christ, the Apostles, and Saint Paul?

Andrew from Christ, the Apostles, and Saint Paul is held by Cleveland Museum of Art.

What movement is Andrew from Christ, the Apostles, and Saint Paul?

Andrew from Christ, the Apostles, and Saint Paul is associated with Renaissance.

Artwork

Andrew from Christ, the Apostles, and Saint Paul

After Lucas Cranach the Elder

Andrew from Christ, the Apostles, and Saint Paul is a print by the Renaissance artist After Lucas Cranach the Elder. It is held in the collection of the Cleveland Museum of Art.

About this work

Overview

Andrew from Christ, the Apostles, and Saint Paul is a 1564 print attributed to the workshop of Lucas Cranach the Elder. The work is part of the Cleveland Museum of Art’s collection and exemplifies the Northern Renaissance’s engagement with religious iconography. It portrays a solitary figure in a contemplative pose, rendered in a limited palette of orange, green, and muted purple.

Subject & Meaning

The central figure, an elderly man with a long white beard and hair, is traditionally identified as Saint Andrew. He is shown holding a green book, a common attribute for saints linked to teaching or the Gospel. His inward gaze and clasped hands suggest meditation on divine truth, aligning with the devotional purpose of the print.

Technique & Style

Executed as a woodcut or engraving, the image relies on strong line work to define the figure’s robes, hat, and delicate fingers. The contrast between the vibrant orange garment and the subdued purple background creates visual focus on the saint’s face and the illuminated text he carries, reflecting Cranach’s characteristic blend of detail and symbolic color.

History & Provenance

The print was produced shortly after Cranach’s death, indicating it may have been issued by his workshop or followers. It entered the Cleveland Museum of Art’s holdings through acquisition in the mid‑20th century, where it remains catalogued as a representative example of post‑Renaissance religious prints.

Context

During the mid‑16th century, Protestant reforms influenced the production of devotional images, and Cranach’s workshop was a key supplier of such works. This print’s emphasis on a single saint’s piety reflects the era’s shift toward personal contemplation rather than grand narrative scenes, aligning with contemporary theological trends.