Who painted Thomas from Christ, the Apostles, and Saint Paul?

Thomas from Christ, the Apostles, and Saint Paul was painted by After Lucas Cranach the Elder.

Where can I see Thomas from Christ, the Apostles, and Saint Paul?

Thomas from Christ, the Apostles, and Saint Paul is held by Cleveland Museum of Art.

What movement is Thomas from Christ, the Apostles, and Saint Paul?

Thomas from Christ, the Apostles, and Saint Paul is associated with Renaissance.

Artwork

Thomas from Christ, the Apostles, and Saint Paul

After Lucas Cranach the Elder

Thomas from Christ, the Apostles, and Saint Paul is a print by the Renaissance artist After Lucas Cranach the Elder. It is held in the collection of the Cleveland Museum of Art.

About this work

Overview

Thomas from Christ, the Apostles, and Saint Paul is a 1564 print attributed to the workshop of Lucas Cranach the Elder. The work is part of the collection of the Cleveland Museum of Art and depicts the apostle Thomas in a solemn pose, holding a staff and a small book.

Subject & Meaning

The figure represents Thomas, one of the twelve apostles, often associated with doubt and subsequent affirmation of faith. The accompanying book suggests scriptural authority, while the staff may allude to his missionary journeys, linking him to the broader narrative of Christ’s disciples and Saint Paul.

Technique & Style

Executed in the characteristic linear precision of Cranach’s workshop, the print features sharply cut lines that give the face a wood‑carved appearance. The contrast of a bright orange robe against a dark purple background and the deep shadows enhance the three‑dimensionality of the figure.

History & Provenance

Created shortly after Cranach’s death, the print reflects the continued operation of his studio. It entered the Cleveland Museum of Art’s holdings through acquisition in the 20th century, though the exact path of ownership prior to that remains undocumented.

Context

The work belongs to the late Renaissance period when Northern European artists like Cranach blended Gothic traditions with emerging humanist themes. Prints such as this served both devotional purposes and the spread of biblical narratives to a wider audience.