Artwork

Bildnis des Kurfürsten Max Emanuel von Bayern

Bildnis des Kurfürsten Max Emanuel von Bayern, by Martin Maingaud, unspecified, 1700
Bildnis des Kurfürsten Max Emanuel von Bayern, by Martin Maingaud, unspecified, 1700

Bildnis des Kurfürsten Max Emanuel von Bayern is an unspecified painting by the French Classical Baroque artist Martin Maingaud. It dates from 1700 and is held in the collection of the Bavarian State Painting Collections.

About this work

Overview

This early‑18th‑century portrait, executed in 1700 by the French‑born court painter Martin Maingaud, presents the Bavarian Elector Max Emanuel in full regalia. The canvas, now part of the Alte Pinakothek’s collection, captures the ruler in a poised stance against a muted backdrop, emphasizing his rank and composure.

Subject & Meaning

The sitter, Max Emanuel, appears with a high‑collared coat, a draped cloak, and a sword hilt resting in his right hand, symbols of his military authority. His left hand holds gloves, while his gaze meets the viewer directly, conveying confidence and the solemn dignity expected of a sovereign in the Baroque era.

Technique & Style

Maingaud employs a restrained palette and chiaroscuro to model the figure, allowing the dark background to accentuate the illuminated fabrics and the subject’s facial features. The brushwork is smooth, rendering the intricate curls of the wig and the texture of the silk garments with a refined, almost photographic clarity.

History & Provenance

Created at the turn of the century for the Bavarian court, the portrait entered the holdings of the Alte Pinakothek, Munich, where it remains on display. Its provenance traces directly from the Elector’s collection to the museum, reflecting the work’s continuous association with Bavarian cultural heritage.

Artist & collection

Artist

Martin Maingaud

Martin Maingaud (1700–1725) was an artist, born in Paris.