Nativity (left panel), Adoration of the Magi (central panel), Rest on the Flight into Egypt (right panel)

Executed in oil paint, the composition employs a restrained palette dominated by earth tones, browns and grays, which lend a solemn atmosphere. Figures are rendered in period costume, their drapery modeled with soft chiaroscuro to suggest volume. The triptych’s balanced arrangement and muted coloration reflect the devotional aesthetic of early‑17th‑century Flemish religious art.

The painting was produced by the Master of the Brussels Epiphany, an anonymous artist active in the Low Countries at the turn of the 17th century. After remaining in private collections for several centuries, the work entered the holdings of the Royal Museums of Fine Arts of Belgium, where it is conserved as part of the museum’s Flemish Baroque holdings.