Christ on the Cross with Saints Vincent Ferrer, John the Baptist, Mark and Antoninus

Executed in tempera on panel, the work displays meticulous attention to fabric texture and ornamental detail, particularly in the richly patterned vestments and the gilded trim of the cross. The palette is restrained, dominated by earth tones and subdued gold, while the figures are rendered with a gentle modeling that reflects the influence of Florentine workshops of the late 15th century.

The panel is attributed to the anonymous Master of the Fiesole Epiphany, a Florentine painter active from the mid‑1470s to at least 1496. In 1967 Everett Fahy linked the hand to a related Epiphany panel in Fiesole, suggesting the artist may be Filippo di Giuliano, who operated a workshop that absorbed stylistic currents from Cosimo Rosselli and Jacopo del Sellaio.

The painting belongs to a period when Florentine devotional art frequently combined narrative crucifixion scenes with a cadre of saints to enhance personal meditation. Its compositional balance and restrained coloration reflect broader trends in late Quattrocento religious panels, where individual saintly identities were integrated to reinforce communal worship practices.