Who painted The Bathing Women of Darat Jouljoul (Mu'allaqat Imru' al-Qais)?

The Bathing Women of Darat Jouljoul (Mu'allaqat Imru' al-Qais) was painted by Moustafa Farroukh in 1936.

Where can I see The Bathing Women of Darat Jouljoul (Mu'allaqat Imru' al-Qais)?

The Bathing Women of Darat Jouljoul (Mu'allaqat Imru' al-Qais) is held by Sursock Museum.

What movement is The Bathing Women of Darat Jouljoul (Mu'allaqat Imru' al-Qais)?

The Bathing Women of Darat Jouljoul (Mu'allaqat Imru' al-Qais) is associated with Orientalism.

Artwork

The Bathing Women of Darat Jouljoul (Mu'allaqat Imru' al-Qais)

Moustafa Farroukh , 1936

The Bathing Women of Darat Jouljoul (Mu'allaqat Imru' al-Qais) is an oil painting by the Orientalist artist Moustafa Farroukh. It dates from 1936 and is held in the collection of the Sursock Museum.

About this work

This painting has an interesting title that references a place and a poet, Imru' al-Qais.

The painting is called The Bathing Women of Darat Jouljoul.
It was created by Moustafa Farroukh in 1936.
The Sursock Museum holds this work, and it's made with oil paint.
This painting has an interesting title that references a place and a poet, Imru' al-Qais.
The title suggests a connection to literature and history.
You can learn more about this style by looking at the work of Moustafa Farroukh.

Overview

The Bathing Women of Darat Jouljoul (Mu'allaqat Imru' al-Qais) is a 1936 oil painting by Moustafa Farroukh, a prominent Lebanese artist. The work is part of the Sursock Museum's collection.

Subject & Meaning

The painting depicts nude female figures in a scene inspired by the pre-Islamic poet Imru' al-Qais and features imagery of the Phoenix dactylifera. The title references a place and a literary figure, suggesting a connection to history and literature.

Technique & Style

The work is characteristic of the Orientalist movement, a style that often incorporated elements of Middle Eastern culture and history. Farroukh's use of oil paint allows for rich, detailed depictions of his subjects.

History & Provenance

Created in 1936 while Farroukh was working in Lebanon, the painting is one of over 2,000 works produced during his career. It is now held in the Sursock Museum's collection.