Ulciorul este realizat din ceramică. Pereții vasului sunt bombați și îngustați spre partea superioară unde se termină printr-un gât cu buza răsfrântă în exterior. Din partea superioară a gâtului aproape de buză pornește toarta vasului arcuită și prevăzută cu o "țâță". La baza gâtului și la diametrul maxim al ulciorului linii concentrice din angobă. Vasul este nears. Cromatică: maro deschis, maro închis, alb.

Made from coarsely tempered clay, the jug was shaped by hand and fired at low temperatures. Concentric bands of slip in light and dark brown, along with traces of white, decorate the widest part of the body. The paint is unevenly applied and partially worn, indicating surface treatment after firing. The handles are attached with care but show no tool marks, suggesting a direct, unrefined hand-building method.

The vessel lacks inscriptions or documented excavation records, so its origin remains unconfirmed. Its form and decoration align with pottery traditions from the Carpathian Basin or neighboring regions during the late Neolithic or early Bronze Age. The wear patterns and material suggest it was used extensively before being discarded or buried, possibly in a settlement context.

This jug belongs to a broader category of utilitarian ceramics produced in prehistoric communities across Eastern Europe. Similar vessels appear in archaeological sites associated with farming settlements, where storage and transport of water, grain, or fermented liquids were essential. Its lack of elaborate ornamentation distinguishes it from ritual or elite objects, placing it within common household assemblages.

Though not widely published or exhibited, this vessel exemplifies the practical ceramic traditions of early agrarian societies. Its preservation offers insight into prehistoric craftsmanship and daily life. Comparable examples can be found in regional ethnographic collections, particularly those documenting pre-industrial pottery techniques in Southeastern Europe.