Artwork
The Prima Macchina for the Chinea of 1738: Allegory of Regal Providence
The Prima Macchina for the Chinea of 1738: Allegory of Regal Providence is an ink print by the Baroque artist Pierre Parrocel. It dates from 1738 and is held in the collection of the National Gallery of Art.
About this work
Overview
The Prima Macchina for the Chinea of 1738: Allegory of Regal Providence is an etching created by Pierre Parrocel in 1738. It is a complex allegorical print featuring a multitude of figures and symbols.
Subject & Meaning
The etching depicts a chaotic scene with people, animals, and ruins ascending a rocky hill, topped by a chariot drawn by winged creatures. The title suggests the image is symbolic, likely representing power or leadership.
Technique & Style
The print is executed in etching, a technique allowing for intricate detail and layered imagery. Dark lines on a light background create the composition, with no color used.
Artist & collection
The Prima Macchina for the Chinea of 1741: Allegory of Regal Magnificence
The Prima Macchina for the Chinea of 1744: The Glorification of Virgil
The Seconda Macchina for the Chinea of 1738: The Triumph of Bacchus and Ceres
The Prima Macchina for the Chinea of 1742: The Contest of Neptune and Minerva
The Prima Macchina for the Chinea of 1739: Mount Parnassus with Apollo, the Muses, and Pegasus
The Prima Macchina for the Chinea of 1743: Venus Genetrix