Artwork
The Prima Macchina for the Chinea of 1743: Venus Genetrix
The Prima Macchina for the Chinea of 1743: Venus Genetrix is an ink print by the Baroque artist Miguel de Sorellò. It dates from 1743 and is held in the collection of the National Gallery of Art.
About this work
Overview
The Prima Macchina for the Chinea of 1743: Venus Genetrix is an etching created by Miguel de Sorellò in 1743.
Subject & Meaning
The etching depicts a mythological scene featuring Venus Genetrix seated on a cloud, surrounded by female figures, with mermaids and mermen in the foreground. The composition is populated by numerous figures, conveying a sense of dynamic movement and energy.
Technique & Style
Executed in a detailed style, the etching showcases a high level of expressiveness through the use of varied lines, textures, and dramatic poses. The work exemplifies characteristics of Baroque art, including dramatic lighting and intense emotions.
Artist & collection
The Prima Macchina for the Chinea of 1742: The Contest of Neptune and Minerva
The Seconda Macchina for the Chinea of 1744: Aeneas and Cumaean Sibyl
The Seconda Macchina for the Chinea of 1746: The Territories of the Kingdom of Naples
The Prima Macchina for the Chinea of 1741: Allegory of Regal Magnificence
The Seconda Macchina for the Chinea of 1738: The Triumph of Bacchus and Ceres
The Seconda Macchina for the Chinea of 1746: The Territories of the Kingdom of Naples
The Prima Macchina for the Chinea of 1739: Mount Parnassus with Apollo, the Muses, and Pegasus
Tapestries in the Vatican, after designs by Raphael
The Prima Macchina for the Chinea of 1738: Allegory of Regal Providence
The Prima Macchina for the Chinea of 1744: The Glorification of Virgil
The Prima Macchina for the Chinea of 1748: The Son of Venus and Mars Presented to the Temple of Minerva
The Prima Macchina for the Chinea of 1765: The Garden of the Hesperides