Artwork

Charles I, King of England

Charles I, King of England, by Simon van de Passe, ink, 1621
Charles I, King of England, by Simon van de Passe, ink, 1621

Charles I, King of England is an ink print by the Renaissance artist Simon van de Passe. It dates from 1621 and is held in the collection of the National Gallery of Art. This early‑17th‑century print presents a portrait of a monarch framed within a circular border.

About this work

Overview

This early‑17th‑century print presents a portrait of a monarch framed within a circular border. Rendered in stark black and white, the figure is shown with a ruffled collar, a jeweled chain, and a buttoned doublet, his curly hair framing a composed, forward‑looking gaze. The surrounding inscription is in Latin, indicating the work’s commemorative purpose.

Subject & Meaning

The image depicts Charles I, who ascended to the English throne in 1625. As a regal likeness derived from a medal, it emphasizes the king’s authority through formal attire and insignia, while the calm expression conveys a sense of sovereign stability and legitimacy intended for public recognition.

Technique & Style

Created by Simon van de Passe, the work is an engraving taken from a silver medal. The artist incised fine lines into the metal surface, producing delicate shading and intricate detail that translate the three‑dimensional relief of the original medal into a two‑dimensional print. The linear precision typifies early Baroque portraiture in print form.

History & Provenance

The engraving dates to 1621, predating Charles I’s coronation, and was likely produced to circulate his image among supporters and foreign courts. As a reproduction of a medal, it reflects the period’s practice of disseminating royal iconography through affordable prints, facilitating broader visual access to the monarch’s likeness.

Artist & collection

Portrait of Simon van de Passe

Artist

Simon van de Passe

Simon van de Passe (1595–1647) was an artist, born in Cologne.

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.