Artwork

Telemachus Requests Permission from Pluto to Seek His Father in the Underworld

Telemachus Requests Permission from Pluto to Seek His Father in the Underworld, by Bartolomeo Pinelli, ink, 1809
Telemachus Requests Permission from Pluto to Seek His Father in the Underworld, by Bartolomeo Pinelli, ink, 1809

Telemachus Requests Permission from Pluto to Seek His Father in the Underworld is an ink drawing by the Romanticist artist Bartolomeo Pinelli. It dates from 1809 and is held in the collection of the National Gallery of Art.

About this work

Overview

Telemachus Requests Permission from Pluto to Seek His Father in the Underworld is a drawing by Bartolomeo Pinelli, executed in 1809, utilizing pen and brown ink, brown and gray wash, and graphite on heavy laid paper.

Subject & Meaning

The drawing depicts a pivotal mythological scene where Telemachus, in a submissive kneeling pose, petitions Pluto, the underworld's god, for permission to search for his father. The composition conveys a sense of tense drama, juxtaposing Telemachus's supplication with Pluto's calm yet authoritative demeanor.

Technique & Style

Pinelli's technique is characterized by crisp, controlled lines, indicative of meticulous planning, often a precursor to larger works. The use of cross-hatching is notable for its role in sculpting the figures' forms, while the brown and gray wash adds depth to the monochrome piece without introducing color.

History & Provenance

Created in 1809, the drawing reflects Pinelli's affinity for mythological themes, a common subject matter in his oeuvre. Specific provenance details are not provided.

Context

This work sits within the broader context of early 19th-century artistic engagements with classical mythology. Pinelli's approach, with its emphasis on linearity and dramatic composition, aligns with contemporary artistic interpretations of ancient themes.

Legacy

While specific legacy details of this piece are not outlined, it contributes to the understanding of Pinelli's artistic process, particularly in how drawings like this might have served as precursors or studies for more substantial, possibly painted, works exploring mythological narratives.

Artist & collection

This work is in the public domain (CC0). Image source: National Gallery of Art open access. Spotted an error in this record? Tell us.