Artwork
The Rest on the Flight into Egypt

The Rest on the Flight into Egypt is an ink print by the Renaissance artist Camillo Procaccini. It dates from 1598 and is held in the collection of the National Gallery of Art.
About this work
Overview
Camillo Procaccini’s etching, titled The Rest on the Flight into Egypt, dates from around 1598. Executed on laid paper, the work presents a quiet moment during the biblical journey, rendered in the delicate line work characteristic of late‑Renaissance printmaking.
Subject & Meaning
The composition shows the Virgin Mary seated on a rock, gently holding the infant Jesus. Beside them, a horse lowers its head to drink from a stream, while a verdant landscape of trees and foliage frames the scene, suggesting a pause of peace amid the travelers’ arduous trek.
Technique & Style
Procaccini employs fine incised lines and graduated shading to model forms, creating a soft atmospheric quality. The horse’s mane and surrounding vegetation are rendered with bolder strokes, adding contrast and a subtle sense of movement within the otherwise tranquil setting.
History & Provenance
The print originates from the artist’s late‑sixteenth‑century output, a period when etching was gaining prominence in Italy. Though specific ownership records are scarce, the work is catalogued among Procaccini’s known prints and appears in several collections of Renaissance graphic art.
Context
During the Counter‑Reformation, depictions of the Holy Family’s flight were popular, emphasizing themes of protection and divine providence. Procaccini’s treatment aligns with contemporary devotional imagery, yet his focus on a restful interlude offers a more intimate, humanized perspective.
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